What is creativity worth to the Gulf?

Is creativity valued enough in the Gulf? If yes, then why is the industry not treated as such? (image source: ART + Marketing)

Are you creative? Of course you are. Who isn’t? It may not surprise you that the cultural and creative industry is one of the world’s largest sectors by job creation and economic value. In 2015, EY and UNESCO reported that this sector generated US$2,250 billion a year, or 3% of world GDP at that time. The sector employed 29.5 million people, or 1% of the world’s active population.

The creative sector matters, both globally and to the region. Dubai Media City, the Gulf’s largest creative cluster, is home to 1,600 companies. Abu Dhabi’s TwoFour54 hosts over 600 firms. Other countries are looking to create their own local creative sectors; Saudi Arabia inaugurated its own “Media City” in Riyadh earlier this year.

There’s an awareness at the highest levels of the importance of creative industries; creativity is at the heart of numerous industries and functions, such as entertainment, marketing and branding.

That same sentiment may not always be felt by those working in the creative industry, particularly agencies and freelancers. The impression I often get is that creativity isn’t valued. Why, you may ask? Well, like everything, it comes down to price and payment.

Let’s talk value. I’ve been in the industry long enough to remember when copywriters, journalists and editors would get paid a couple of Dirhams a word. The value of the written word has perpetually fallen, and I’ve seen creatives offered less than one Dirham a word. The quality of what is produced is secondary to its cost.

And then there’s payments. Chasing bills is a way of life for many agencies and freelancers, especially when working with certain government agencies (some government agencies I know are exceptional in paying on time). It’s not unusual for payments to be made up to a year after a job has been completed. I find this behavior puzzling. Government agencies are less likely to have cash issues than their private sector counterparts. And any delay in cash flows inevitably leads to stress on staff salaries and payments to suppliers. There’s also the reputational impact; many of my colleagues in the industry simply don’t want to work with government agencies for fear of not being paid on time.

Given the stress caused to the economy by the pandemic, many creatives are struggling to stay afloat. Being paid on time and at a decent price will help them get through 2020. In contrast, payment delays and underpayment is going to drive many creatives to shut up shop and leave the region.

Good creatives matter. Just ask any marketing head about why creativity matters. Corporate and national brands need the very best minds if they’re going to stand out in the minds of their customers. We need to be encouraging the very best creatives to come to the region and work here. With that sentiment in mind, I’d ask what is creativity worth to the Gulf? I’d argue that the creative industry’s value is more than many of us are willing to pay. And that needs to change.

The National, City 7 TV and the Quest to Make Media Profitable via Digital

Both The National and City 7 TV will be letting go of many editorial staff as they look to restructure (image source: Arabian Business)

The past couple of weeks has been tough for many colleagues in the UAE media industry. First, information was leaked about job losses at the Abu Dhabi-based, English language daily The National. The reported job cuts follows five months after the paper’s purchase by International Media Investments (IMI), a subsidiary of private investment firm Abu Dhabi Media Investment Corporation (ADMIC) from state-owned Abu Dhabi Media Company (ADM). At least a quarter of the editorial staff will be leaving The National by the end of June 2017, as the paper’s owners support a “digital transformation” at the paper.

“As part of this transition, over the past few months, IMI has finalised its new vision for The National, supported by a robust editorial strategy to ensure that The National fulfils its potential as a premier English language source of news about and for the Middle East,” a spokesperson told the AFP.

Abu Dhabi Media Investment Corporation also owns a majority stake in Sky News Arabia, and a project team has been set up to aid the “digital transformation” at The National.

The second news story over the past week were job cuts at Dubai-based English language television channel, City 7 TV. The channel has been sold by BinHendi Enterprises to WeTel-TV, a TV platform for global educational news and current affairs. A number of the editorial team have left as the channel focuses on education.

For many media outlets, the focus is increasingly on profit. In a region which is going through austerity, and where media ownership is primarily in the hands of government (for newspapers and television at the very least), there seems to be a rethink among many outlets as to how to reduce costs. As with every other region, digital is waved as the answer. However, even global titles such as the Wall Street Journal, the New York Times, and the Daily Mail have struggled to turn a profit online. Digital revenue streams simply aren’t going to replace lost print advertising any time soon.

The other question that The National’s media owners need to ask is how will the loss of so many journalists impact editorial quality? When it comes to media consumption, online is no different from offline; readers want good content. How that content is delivered is obviously different, but the demand for good media will remain. And will there be a logical approach to a “digital transformation”, that combines both The National’s quality copy with the multimedia abilities of Sky News Arabia? An Abu-Dhabi based rival to AJ+ would be an exciting proposition, and I hope that The National has a strong digital enabler at the helm.

Whatever happens with both publications, my thoughts are very much with those people who are leaving. I hope that you’ll find new employment soon.